The National Gallery!!!
Through
American Eyes: Frederic Church and the Landscape Oil Sketch
Issued:
November 2012
6
February – 28 April 2013
Room
1
Admission
free
Majestic
scenes and striking colouration dramatise the works on display in The National
Gallery’s exhibition Through American Eyes: Frederic Church and the Landscape
Oil Sketch. The spring exhibition explores the remarkably fresh and spontaneous
oil sketches of Frederic Church (1826–1900), considered by many to be the
greatest American exponent of the landscape oil sketch.
Church’s
oil sketches reveal the freshness of his work and the spontaneity of his style
as he captured scenes out of doors, some of which he elaborated later in the
studio. Regarded as one of the most ambitious of the Hudson River School
landscape painters, his works reveal his voracious appetite for travel to
locations as distant as Ecuador, 'Distant View of the Sangay Volcano, Ecuador'
(1857); Jordan, 'Ed Deir, Petra' (1868); Jamaica, 'Ridges in the Blue
Mountains, Jamaica' (1865); Germany, 'Königssee, Bavaria' (1868); and the
waters off Labrador where he studied icebergs.
The
exhibition also includes works executed closer to Church’s home on the Hudson
in Upstate New York including 'Winter Twilight from Olana' (about 1871-2) and
'Hudson, New York at Sunset' (1867) which reflect his interest in the American
landscape and his exploration of the effect of light.
Frederic
Church Painter.
Step
into a world of wild natural phenomena with the landscape oil sketches of
celebrated American landscape painter, Frederic Church.
‘Through
American Eyes: Frederic Church and the Landscape Oil Sketch’ displays a
distinctive aspect of the work of Frederic Edwin Church (1826–1900), his
landscape oil sketches.
Church
was a leading member of the Hudson River School of landscape painters, active
in the mid-19th century, and a key American exponent of the oil sketch which he
executed both at home and on his extensive travels to Niagara Falls, Labrador,
Jamaica, Mexico and the Middle East.
Oil
sketches have become objects of appreciation and study in their own right.
Among students of American art, Church’s sketches in particular are admired for
their freshness and originality.
This
exhibition brings together around 25 oil sketches. Works are drawn from the
incomparable collections of the Cooper-Hewitt Museum, New York, and Olana,
Church’s picturesque estate along the Hudson River, now a New York State
Historic Site.
They
are joined in the exhibition by a single, monumental painting, 'Niagara Falls,
from the American Side' (1867), showing the relationship between sketch and
finished masterpiece.
The
exhibition will travel to the Scottish National Gallery, Edinburgh (11 May – 8
September 2013).
This
exhibition is organised by the National Gallery in partnership with and through
major support from the Terra Foundation for American Art. Additional support
comes from The Olana Partnership and generous loans from Olana and
Cooper-Hewitt, National Design Museum, Smithsonian Institution.
The
National Gallery, Trafalgar Square, London WC2N 5DN
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